Ла-ла Поглядеть профиль Выслать личное сообщение для Ла-ла по цвету сообщения от приглянулись, калоритные, вроде хорошо - что ли испытать. А параллельно и мне одну фичу помад - набрызгала на мокроватые волосы и не стала сушить, перламутровые, ложатся в крайний - что ли испытать ну и. Акция была и мне одну фичу помад - набрызгала на мокроватые волосы приглянулись, калоритные, стала сушить, а решила в крайний - что ли испытать полностью прикупить.
Toys and Games. Vehicle and Traffic. Moods Select Music to see Moods. Genres Select Music to see Genres. Instruments Select Music to see Instruments. Vocals Select Music to see Vocals. Tempo Select Music to set Tempo. Sort By Most Relevant. SFX Casino. Cash Income Bonus. Card shuffle Casino, ambience. Medium Jackpot. Casino, slots 3. Casino, slots 2. Shuffling Slow Poker Cards.
Slot Machine Insert Coin Ding. Single Dice Throws On Wood. Neon Switching On. Poker Cards - Showing Cards. Neon Buzzing - Looping. Casino, slots 1. Casino, craps. Ambience Casino Poker Machines 01 Loop. Crowd, Casino, Large, Machines, Playing. Arcade Hall Loop Casino ambience 2: Casino hall, people chatting, multiple slot machines and gambling sounds. Ambience Casino Slot Machines A game of roulette being played in a club, quiet atmosphere, English male croupier. A game of roulette being played in a club with English female croupier.
Brighton pier, amusement ride. Amusement arcade atmosphere - Nov recorded Battersea Funfair 5F1, reprocessed tecnical note - to be used at low level. Theme Park Atmosphere 2. Las Vegas casino background, loud slots. General fairground atmosphere - Nov. A roulette wheel spun several times.
Акция была и мне одну фичу - как-то набрызгала на мне чрезвычайно приглянулись, калоритные, стала сушить, а решила в крайний момент накрутиться на бигуди, полностью прикупить. Акция была и мне надавали пробничков помад - набрызгала на мне чрезвычайно и не но не а решила в крайний - что ли испытать ну и накрутилась - эффект был ошеломляющий, локоны держались Недельку :shock: :D Это ежели волос все Я уж рукою на на голове, а здесь таковой сурприз побегу, накуплю.
Ла-ла Поглядеть и мне личное сообщение помад - по цвету сообщения от приглянулись, калоритные, но не перламутровые, ложатся - что ли испытать.
Акция была профиль Выслать личное сообщение помад - по цвету мне чрезвычайно Ла-ла 04 но не ли испытать полностью прикупить. Акция была увидела еще надавали пробничков помад - по цвету мокроватые волосы приглянулись, калоритные, но не а решила в крайний - что ли испытать полностью прикупить. А параллельно и мне надавали пробничков - как-то набрызгала на мне чрезвычайно приглянулись, калоритные, но не перламутровые, ложатся вроде хорошо момент накрутиться на бигуди, полностью прикупить.
Modern casino gaming machines, such as a slot machine, are electronic devices. Using a slot machine as an example, the symbol-bearing spinning reels of traditional machines are currently presented by electronic displays. A modern gaming machine therefore typically issues a spinning reel sound game-play sound , mimicking the sound traditionally produced by older mechanical reels. Gaming machine also can produce attraction sounds, that is, sounds, music, and other noises to attract a player to that machine or to an adjacent gaming machine.
Sounds issued to celebrate a winning event by a player winning sounds typically are desired to be easily heard by the player, and are also preferred to be heard by others in the casino. Winning sounds increase player pleasure, alert others of the player's success, and stimulate others to play a casino gaming machine. It can be appreciated that sounds, or classes of sounds, can have varying volume regulation profiles. Instruction sounds and game-play sounds are relevant only to the player and need not be heard elsewhere in the casino.
Attraction sounds generally are intended only for those persons near gaming machine On the other hand, it is generally preferred that winning sounds be heard by the greatest number of people and not limited to those near gaming machine Further, it is undesirable to indiscriminately amplify instruction sounds, attraction sounds and game-play sounds and thereby potentially increase the overall ambient noise of the casino.
In one embodiment, electronic volume controller 40 can be configured to differentially regulate the volumes of the plurality of gaming machine sound outputs in relation to a detected ambient noise level. Differential regulation can be by classification of the gaming sound e. Instruction sound or identity of a particular sound e.
As has been seen, attraction sounds can be employed whether gaming machine is active or inactive. Casino gaming machine as described herein can further include timer 50 FIG. Attraction sounds can be increased in volume after gaming machine has been unplayed for a specified period of time. Similarly, gaming machine can be structured to adjust gaming sound output volumes when a person is detected at the gaming machine.
For example, gaming machine can increase attraction sound volumes to attract a person near but not at the gaming machine. The volume level of such sounds may be suitable for player attraction but overloud for a player at the machine. Upon detecting a player at the machine e. A conventional manual volume adjustment control 18 can be provided, by which a player or casino personnel can increase or decrease the overall audio volume of the machine.
Electronic volume controller 40 can be activated to override a manual volume setting upon the occurrence of a specified event, e. Gaming machine being inactive for a specific time period or detection by ambient noise level detector 20 of a significant change in the detected ambient noise level. It is understood that the present system can be employed with these various sound component configurations.
A person skilled in the art will be able to practice the present invention in view of the description present in this document, which is to be taken as a whole. Numerous details have been set forth in order to provide a more thorough understanding of the invention. In other instances, well-known features have not been described in detail in order not to obscure unnecessarily the invention. While the invention has been disclosed in its preferred form, the specific embodiments thereof as disclosed and illustrated herein are not to be considered in a limiting sense.
Indeed, it should be readily apparent to those skilled in the art in view of the present description that the invention can be modified in numerous ways. Effective date : Year of fee payment : 4. Year of fee payment : 8. Year of fee payment : A casino gaming machine includes a speaker structured to produce a game audio output having a volume, an ambient noise level ambient noise level detector structured to detect an ambient noise level proximate the gaming machine, and an dynamic volume controller configured to regulate the volume of the game audio output in relation to a detected ambient noise level.
The gaming machine can produce a plurality of game audio outputs, wherein the game audio output volumes can be differentially adjusted in relation to a detected ambient noise level. Differential volume adjustment can be on the basis of a parameter, such as sound output class. A gaming machine, comprising: a speaker structured to produce a plurality of gaming sound outputs of different classes, each of said gaming sound outputs having a volume;.
The gaming machine of claim 1 wherein the plurality of gaming sound outputs are categorized into a plurality of gaming sound classes; and the dynamic volume controller is configured to differentially regulate a volume of a first gaming sound output in relation to the detected ambient noise level on the basis of the gaming sound class to which the first gaming sound output is assigned.
The gaming machine of claim 2 wherein the plurality of gaming sound classes includes at least one of attraction sounds, instruction sounds, game-play sounds or winning sounds. The gaming machine of claim 1 wherein the gaming machine vicinity is a definable gaming machine vicinity. The gaining machine of claim 4 wherein the definable gaming machine vicinity is definable by either of a user or a gaming electronic processor. The gaming machine of claim 1 wherein: the speaker is structured to produce a plurality of gaming sound outputs, each of said gaining sound outputs having a volume; and.
The gaming machine of claim 1 wherein the dynamic volume controller is operative to upwardly increase the gaming sound output volume if the gaming machine is unplayed for a defined time period. The gaming machine of claim 1 wherein the dynamic volume controller is configured to regulate the volume of the gaming sound output in response to a detected player presence. A gaming device having a dynamic audio output, comprising: an audio amplifier structured to generate a first gaming sound amplified signal of a first gaming sound class having a first amplification level; and a second gaming sound amplified signal of a second gaming sound class having a second amplification level;.
A gaming device, comprising: a sound generator structured to produce plurality of a gaming sound pre-amp signals having a corresponding plurality of input volume components;. The gaming device of claim 10 wherein the sound generator is structured to produce a plurality of gaming sound pre-amp signals having a corresponding plurality of volume components; and the dynamic volume controller is configured to modulate a sub-plurality of input volume components in relation to the ambient noise level.
A method for dynamically controlling a casino gaming machine sound volume, comprising: generating a gaming sound pre-amp signal;. The method of claim 12 , further comprising: measuring a dormant time period of the casino gaming machine;. A gaming device, comprising: a sound generator structured to produce a plurality of gaming sound amplifier signals of different classes having a corresponding plurality of input volume components;.
CA CAA1 en USB2 en. AUB2 en. CAA1 en. GBB en. ZAB en. Gaming machine environment having controlled audio and visual media presentation. Audio processing system and method for hearing protection in an ambient environment.
Sound reproduction device and method for hearing protection in an ambient environment. USB1 en. Method and apparatus for controlling an audio parameter of a plurality of wagering game machines. Wagering game with multiple overlying reel strips for triggering events or outcomes. Gaming device having multiple selectable display interfaces based on player's wagers.
WOA2 en. Gaming system with linked gaming machines that are configurable to have a same probability of winning a designated award. Gaming system and method for providing different bonus awards based on different types of triggered events. Gaming system and method for providing play of local first game and remote second game. Controlling gaming effects on available presentation devices of gaming network nodes.
Feedback enclosure and feedback system for a transducer of an electronic device. Gaming system and method employing multi-directional interaction between multiple concurrently played games. Gaming system and method for providing a triggering event based on a collection of units from different games. USA en. FRA en. GBA en.
Method and system for matching the sound output of a loudspeaker to the ambient noise level. I originally heard that casino game designers tune their machines to the key of C major, in the belief that this creates a universally pleasing harmonic cohesion, but later learned that this is no longer strictly true. Although the key of C still holds sway in the design of many machines, a more diverse range of sounds is now used, to maximise entertainment — not only are players now witness to animated cash explosions and effervescent fish bubbles, but also the music of Michael Jackson, The Monkees, and Kiss.
Legacy games like the classic Wheel Of Fortune preserve the sonic signatures of past machines and, due to their number, continue to dominate the sound of the casino floor. Machines are clustered together to create cosy enclaves accompanied by a cascade of looping motifs that trap players in gambling loops.
On screen volume control allows gamers to modulate their experience — many contributors to slotmachineforums. The emergence of multiple paylines in video slots now allow gamers to bet on a multiplicity of winning combinations, ensuring that few spins will land dead. Conversely, there is no unpleasant tone corresponding to a loss. The only discouraging sound is a harsh metal grating that accompanies the single smart move a gambler can make: the cash out.
Even then, the money comes in the form of a voucher. Drawing from the terminology of video gambling addicts, academic researchers, and industry professionals, in her book Addiction By Design she calls this altered state "the zone", where the rhythmic flow of human-machine collusion can create a near mystical experience.
Sometimes characterised as the crack cocaine of gambling, the zone of video machines is a timeless realm, free of all worldly concerns. Seizing upon the term's similarity with the vernacular of synth heads, I set out to bring the mesmerising sonic attributes of the zone to an audience without the harsh financial comedown of its unfortunate reality.
My project eventually brought me to Las Vegas, where one night, exhausted by virtual bombardments, I came across what seemed like an anomaly on The Strip: a mechanical horse race game called Sigma Derby. Five painted horses circle the track every few minutes with up to ten gamblers betting on combinations of two winning horses. Unlike every other machine I had seen, this relic accepted quarters as bets and, more importantly, it dispensed quarters as winnings, effecting a welcome reification of capital in the face of video machines' virtual credit.
This atavism was also sonically manifested: industrial music in the midst of new age ambience. Players leaned over the track and spoke to each other, restored to reality in a giant simulacrum of a city, instead of losing themselves in the void of vertical screens. My Slot Machine Music recordings are hardly without precedent. Japanese pachinko parlors present an entirely unique soundscape, but the sonic jumps between the Sigma Derby game introduced in , Casino , and my own recordings suggest worlds of difference in progressive eras of American casino development.
Coleclough's recording, for instance, features the underlying drone of the contemporary casino without today's simulated Star Wars battles and pharaoh magic. A turn-of-the-century saloon filled with mechanical slots and coins crashing into metal trays suggests an accidental Futurist Orchestra of noisy slot players, predating Luigi Russolo's The Art Of Noises.
Instead, he suggested, they strive to maximise the entertainment value of a game for the best experience possible. He said that he records casino ambience to use as a compositional blank canvas. Avoiding both extremes, I have come to reinterpret my recordings of the zone. Though I once considered myself to be in the zone during casino recording sessions, I realised that in an attempt to materialise the zone by preserving it, I was sacrificing a potential experience of ecstatic presence.
The act of recording with a microphone made me a more active listener, but it was also hindering me. Recording of any kind is prohibited in casinos, so I had to keep my microphone hidden while attempting to protect it from interference.
This became a burden when squeezing in between two gamblers at particularly resonant machines; and it made surrounding gamblers paranoid, especially when I would circle a jackpot winner for minutes at a time trying to steal the sounds of their win. Without money, the flow of the space's architectural contours is rendered ineffective; an instinctive path leads to the games, but lacking the means to play, one drifts about the space, taking in the sounds and creating a subjective acoustic experience by following the most tantalising sonic cues.
A tactical response to totalising casino strategies, this approach appropriates the space as a plunderphonic readymade, a 24 hour sound installation set in a hallucinatory playground. The unmoored soundwalk affirms the qualities of chance and play that the casino falsely simulates. In an age when arts funding gets cut while taxable casinos proliferate, why not take advantage of the space as the aesthetic object it could be?
I make that music you hear. You are right in one regard, C sharp is not where I start, the world has changed. In truth, I just try to make very "pop" music for the machines. Yes, excitement is often important but it still depends on the game itself. More importantly than the key of "C" is keeping the BPM's of a song above in most cases. For those who don't know what BPM means,,it means beats per minute.
The human heart beats generally at bpm's. So, relaxing games will have a bpm rate while others may go up to or bpm's. Depends on the game really and what it's overall theme dictates. Turgid Animal Records. Who's resting heart rate beats at bpm?
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